The Book of Mormon Musical Tickets, Cast & Broadway Guide

The Book of Mormon Musical Tickets: Lottery, Rush & Where to Buy

The Book of Mormon musical tickets are sold officially through ATG Tickets and directly at the Eugene O’Neill Theatre box office at 230 West 49th Street. The box office offers fee-free ticketing, and the Broadway production is currently on sale through May 30, 2027. Treat that date as the present ticket-sale window, not an announced closing date.

TKTS and Cheap Book of Mormon Tickets

TKTS is worth checking for same-day or next-day availability if your date and exact seat location are flexible. Inventory changes by performance, so treat TKTS as a live option rather than a guaranteed discount.

Where to Buy Book of Mormon Broadway Tickets

What Is The Book of Mormon Musical About?

Two Mormon missionaries — Elder Price, earnest and ambitious, and Elder Cunningham, hapless and well-meaning — are sent to a remote village in Uganda to convert the locals. What follows is two and a half hours of jokes that arrive at machine-gun pace, songs that alternate between catchy and shocking, and a story that manages to be genuinely warm about its characters while relentlessly mocking everything around them. The creative team is Trey Parker and Matt Stone — the South Park creators — working with Robert Lopez, the Tony- and EGOT-winning composer behind Avenue Q and Frozen. The combination produces something that no other Broadway musical sounds or feels like.

The humor operates on multiple registers simultaneously. The show satirizes organized religion, American naivety, missionary culture, and what happens when cheerful certainty meets conditions it has no framework for — and it does this while also writing songs catchy enough to be stuck in your head for weeks. “Hello,” the opening number, is a full-throated Broadway showstopper that introduces the missionaries’ door-knocking optimism. “Hasa Diga Eebowai” is its exact tonal opposite. “Spooky Mormon Hell Dream” is one of the most inventive production numbers on Broadway. The show earns its reputation for every minute of its two and a half hours.

The energy is relentless and the laughs are genuine — not the polite Broadway laughter of an audience being appreciative, but the involuntary kind that catches people off guard. Audience members who saw it in 2011 still describe it as one of the funniest things they’ve ever seen in a theater. Fifteen years later, that reputation holds. The show hasn’t softened or become comfortable with itself the way long-running productions sometimes do — it’s still playing at the same voltage.

Current Book of Mormon Broadway Cast

The current Broadway company is led by Kevin Clay as Elder Price and Diego Enrico as Elder Cunningham, with Sydney Quildon as Nabulungi, Charlie Franklin as Elder McKinley, Jacques C. Smith as Mafala Hatimbi, and Derrick Williams as the General.

Because this is a long-running production, principal roles can change. The show itself is stable, but travelers searching for the original cast — including Josh Gad and Andrew Rannells — should not assume those performers are part of the regular current company.

Best Seats for The Book of Mormon at the Eugene O’Neill Theatre

The Eugene O’Neill is a compact Broadway house, which works well for The Book of Mormon: the show depends on facial reactions, physical comedy, and full-company musical numbers more than giant scenic effects. Centered seats usually matter more than being as close as possible.

For the full seating layout, sightline advice, accessibility details, and section-by-section planning, see the Eugene O’Neill Theatre guide.

Who The Book of Mormon is best for

The clearest fit for The Book of Mormon is an adult audience that already knows it will like this kind of humor — people who watch South Park, who enjoy irreverent comedy, or who have a baseline comfort with satire that doesn’t pull its punches. The show rewards audiences who come prepared for it far more than audiences who come hoping it will be funny in a gentler way than advertised.

The show is also one of Broadway’s best date-night options for couples who share that sense of humor — the combination of genuinely funny songs, a story that has real warmth underneath the shock, and the specific energy of a packed Broadway house all laughing together makes it a memorable evening. The Broadway date night guide covers it in the context of the current season.

Is The Book of Mormon a good first Broadway show?

This is the question the show’s fame makes more complicated than it appears. The Book of Mormon is so well-known, and so enthusiastically recommended by people who loved it, that it often becomes the default suggestion for someone’s first Broadway experience. That recommendation is sometimes exactly right and sometimes significantly wrong.

The case for it as a first show: it is undeniably one of the most technically accomplished Broadway musicals of this century. The songwriting is superb, the choreography is inventive, the performances are consistently excellent, and the whole production has the kind of precision that fifteen years of nightly performances produces. If you leave The Book of Mormon having enjoyed it, you will understand immediately why people love Broadway.

The case against it as a default first show: a first Broadway experience is often described by the people who had it for decades afterward, and the nature of that description is shaped by what the show was. “My first Broadway show was The Book of Mormon” is a specific story — one that works well if the show’s humor matched your sensibility and one that works less well if you spent two and a half hours more uncomfortable than amused. For first-time visitors who want to be safely delighted rather than deliberately provoked, The Lion King, Wicked, or Aladdin deliver that experience with less risk of the content not landing the way the reputation suggested it would.

The right question for a first-time visitor is not “is The Book of Mormon famous enough to be worth seeing?” but “is this specifically the kind of comedy I know I’ll enjoy?” If the answer is yes, it’s a very good first Broadway show. If you’re uncertain, the first-time Broadway visitors guide helps work through the full current season with that question in mind.

Is The Book of Mormon Appropriate for Kids or Teenagers?

The production contains sustained explicit language, sexual references, crude humor, religious satire, and material involving race, poverty, and violence. The official production site asks each family to decide what is suitable rather than giving a simple age recommendation.

Current official sources are not perfectly aligned on the minimum admission age: the production’s own ticket FAQ still says children under 4 are not admitted, while ATG and the Broadway League currently state that all guests must be at least 5. For planning purposes, treat age 5 as the safest minimum and verify the current policy before buying for a young child.

For teenagers, the more useful question is whether they already enjoy this register of comedy. A mature teen who is comfortable with South Park-style satire may be completely fine. A younger or more sensitive viewer may find the content uncomfortable rather than funny. For families with younger children looking for a different Broadway fit, the Broadway shows for kids guide covers the current season.

What the Eugene O’Neill Theatre adds to the experience

The Eugene O’Neill Theatre at 230 West 49th Street opened in 1925 and has been The Book of Mormon’s home since the show opened here on March 24, 2011. It is now the longest-running show in the O’Neill’s hundred-year history — the show has broken the house gross record more than fifty times and has simply become what this theater is associated with for an entire generation of Broadway theatergoers. Note: The Book of Mormon plays the Eugene O’Neill Theatre, not the Shubert Theatre — the two are sometimes confused since both are historic Broadway houses in the same general Theater District area.

The theater holds approximately 1,066 seats across orchestra and mezzanine. It is a mid-sized Broadway house — not as intimate as the Hayes, not as large as the Majestic — which means the energy of a full Saturday night audience fills the room in a way that makes the comedy land harder. The Book of Mormon is a show that benefits significantly from a packed house: the collective shock-and-laughter dynamic between the audience and the stage is part of what makes the experience what it is. A half-empty Tuesday matinee is a meaningfully different experience from a sold-out Saturday evening.

For seat selection: the orchestra center delivers the most immediate engagement with the show’s physical comedy and ensemble numbers. The mezzanine provides a complete stage picture with good sightlines for the full-company numbers. Side seats at the orchestra edges can miss some staging. The Eugene O’Neill Theatre guide covers the O’Neill layout, accessibility, and seat planning in more detail.

When The Book of Mormon may not be the right Broadway choice

If explicit language and crude humor are a dealbreaker. The advisory exists for a reason and the show does not become gentler as it progresses. This is the most straightforward reason to choose a different show — the content is fundamental to what The Book of Mormon is, not a surface layer that can be looked past.

If you want Broadway’s biggest visual spectacle. The Book of Mormon is a production-strong show, but it is not a visual-effects-first experience in the way that Wicked, The Lion King, or Aladdin are. The spectacle is in the songwriting, the choreography, and the performances rather than in set transformations or theatrical flying. For visitors whose primary goal is Broadway as a technical visual event, other current season options deliver that more directly.

If you want an emotionally warm or moving Broadway night. The show has genuine warmth for its characters — there is real affection underneath the satire — but the emotional register is primarily comedic rather than moving. For Broadway visitors whose ideal evening is one that leaves them feeling emotionally stirred in the way Hadestown or Wicked or Beaches can, The Book of Mormon offers something different and not necessarily less valuable, but categorically distinct.

If you are traveling with a mixed group that includes children or religiously observant members. The religious satire at the show’s core is not mild or easily overlooked. It is targeted, sustained, and central to the comedy. For a group where any member is likely to be genuinely offended rather than amused by that content, the evening becomes uncomfortable for everyone rather than funny for most.

If you’re looking for the touring production instead. The Book of Mormon also runs as a national touring production that plays regional theaters across the country separately from the Broadway run — if you searched for tour dates or a specific city’s engagement, this page covers the Broadway production at the Eugene O’Neill Theatre specifically, not the tour.

What to Know Before Booking The Book of Mormon

Runtime: The Book of Mormon runs approximately 2 hours and 30 minutes, including one 15-minute intermission. Performance schedules can shift around holidays and special events, so check the official ticket calendar for the curtain time on your exact date.

Age and content: The production contains explicit language and strobe lighting. ATG and the Broadway League currently require guests to be at least 5, while the production’s own FAQ still says children under 4 are not admitted. Because those official sources conflict, verify the current minimum-age policy if bringing a young child.

Run status: The Broadway production has no announced closing date. ATG currently has primary ticket inventory on sale through May 30, 2027; that is the present ticket-sale window, not a closing announcement.

Popularity and availability: The Book of Mormon remains a major long-running Broadway title. Flexible visitors have several legitimate discount routes, while travelers with fixed dates and preferred seating should still book earlier. The when to buy Broadway tickets guide covers the broader timing strategy.

How Long Is The Book of Mormon?

The Book of Mormon runtime is approximately 2 hours and 30 minutes, including one 15-minute intermission. That makes it a full Broadway evening rather than a short comedy, so allow enough time for dinner, security, and theater entry before the performance.

The Eugene O’Neill Theatre opens its doors approximately one hour before the scheduled performance. Check the exact curtain time on your ticket because schedules can shift around holidays and special events.

Planning a Book of Mormon Broadway Evening

The Eugene O’Neill Theatre at 230 West 49th Street sits directly in the Theater District, two blocks north of the main cluster of Broadway houses. The surrounding blocks are dense with dining options — Restaurant Row on West 46th, the full range of Hell’s Kitchen restaurants extending west toward Ninth Avenue, and the Theater District standbys on 44th and 45th Streets are all within a comfortable walk.

The Book of Mormon’s energy — high, fast, irreverent — suits a pre-show dinner that matches that register rather than a slow, ceremonial meal. The show begins at a sprint and doesn’t let up, so arriving at the theater fed, comfortable, and with a drink in hand is better preparation than a rushed pre-show meal eaten with one eye on the curtain time. The restaurants near Broadway guide covers the full pre-show dining picture in the Theater District.

For visitors making a full evening of it, the Theater District neighborhood guide covers the surrounding area. Transportation options including subway routes, rideshare, and walking from Midtown hotels are covered in the Broadway transportation guide.

Frequently asked questions